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Posted by John Scalzi

It’s just a little before 3pm on a Saturday in Boise, and I’ve fed myself on a Subway Bacon Chicken Ranch sub (with oatmeal raisin cookie), and now I’m going to lie around on a bed in a darkened hotel room, watching YouTube cooking video until my brain is ready for a nice afternoon nap.

These are my unhinged tour habits! The pure licentiousness is the stuff of legend!

Anyway, hello, Boise. I will see you tonight at that most hedonistic of night haunts, the public library.

Tomorrow! Denver! I’ll see you at the Tattered Cover Colfax! 3pm — that’s right, it’s an afternoon event, because it’s Sunday, and we get our iniquity done early on Sunday.

— JS

The Big Idea: William Alexander

Sep. 19th, 2025 09:28 pm
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Posted by Athena Scalzi

You don’t have to fully understand something to enjoy or get value out of it. New York Times bestselling author William Alexander expands this idea to life itself in the Big Idea for his newest novel, Sunward. Read on to see how the world, though sometimes scary and incomprehensible, can also be pretty amazing.

WILLIAM ALEXANDER:

Sunward is space opera about parenting—specifically about parenting robotic kids, and more broadly about parenting kids who are wildly, gloriously, transformatively different from ourselves. 

It started as a short story that I wrote for Sunday Morning Transport, when pandemic parenting was much on my mind. My own kids were stuck at home, quarantined from the world but still trying to learn about it via disembodied classrooms. Their experience of grade school was simultaneously contracting and expanding in ways that I had no frame of reference for—except maybe in science fiction. Home was a spacecraft, isolated in the void. We lived in cramped quarters, bouncing off the walls and staring out the windows, but at least we could communicate instantaneously with every other ship and station. 

This mix of coziness, claustrophobia, catastrophe, and possibility messed with my head. I tried to squeeze the whole mess into a short story. Then the story grew into a novel—albeit a short one—about parenting juvenile bots in a turbulent solar system. 

Science fiction has lots of robotic kids. Some inhabit Pinocchio retellings, others Peter Pan retellings. Some are changelings, embodying old fears alongside newer uncanny valleys. Samuel Butler panicked about mechanical offspring in his 1863 essay “Darwin Among the Machines” (which also predicts eventual war between the machines and humanity). Osamu Tezuka’s beloved Astro Boy broke ground for so much of our science fictional landscape; his 1962 story “Robot Land” includes a robotic uprising set in an amusement park, published eleven years before the movie Westworld

Ted Chiang’s The Lifecycle of Software Objects (which you can find in his second collection Exhalation) critiques the impossible shortcuts that we almost always take in our stories about mechanical people. “Science fiction is filled with artificial beings who, like Athena out of the head of Zeus, spring forth fully formed,” he says in the story notes, “but I don’t believe consciousness actually works that way.” The digients of his novella are infants raised up by the constant attention of caring adults. Intelligent life needs to be nurtured. It takes time. There are no shortcuts. 

As adults we become increasingly skilled at pretending—to ourselves, and to everyone else—that we stand on certainties. Kids know better. They are much more accustomed to moving through worlds that they don’t understand, and don’t yet expect to. They find ways to navigate incomprehension. 

Science fiction can help us remember how to do the same—not necessarily in its literal predictions of the future, or in its warnings and cautionary tales, but in the way SF fosters an intuitive sense that all of this… <flails at the world like an unhappy muppet> …could be wildly, gloriously, transformatively different. 


Sunward: Amazon|Barnes & Noble|Books-A-Million|Bookshop

Author socials: Website|Bluesky

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Posted by John Scalzi

Today’s view not only has a parking lot, but also a freeway onramp! This makes it a high-quality view from a hotel window!

(The room and hotel are pretty nice, just to be clear. Tor does not put me up in murder hotels.)

Tonight: I’m at Mysterious Galaxy in San Diego, 7pm! Be there or be somewhere else, I guess.

Tomorrow: I go all the way to Boise, Idaho, for an event at the Boise Public library (Hillcrest Branch), co-sponsored by Rediscovered Books. Also at 7pm! The event is free but please register at the link so they know you’re coming.

— JS

t-rex in: a flight of fancy

Sep. 19th, 2025 12:00 am
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September 19th, 2025: I recognize that this hobby is not for everyone. BUT: it is for SOME of the ones.

– Ryan

Hello From Santa Cruz

Sep. 19th, 2025 04:37 am
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Posted by John Scalzi

Forgot to post a “view from a hotel window” view today, but this interesting contraption was right down the street from me, so I thought you might like it instead. Tonight’s event was lovely and tomorrow I will be in San Diego, at Mysterious Galaxy bookstore at 7pm. You should come by and say hello to me there.

— JS

The Big Idea: Dan Rice

Sep. 18th, 2025 04:34 pm
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Posted by Athena Scalzi

What’s scarier, a haunted school or lifelong trauma? Spooky season is upon us and author Dan Rice has brought the ghost stories with his newest book, Phantom Algebra. Follow along in his Big Idea to see how ghastly high school can really be.

DAN RICE:

While writing Phantom Algebra, I encountered a challenge I had never faced before. The setting is a shared universe, specifically the fictitious town of Pinedale, North Carolina, located approximately fifty miles or so from Raleigh. The action needed to center around the berg’s haunted high school, Pinedale High.

I wanted the protagonist, Zuri, to be an outsider —the new kid at school —and not someone who believes in ghosts. But how to get her to Pinedale? I could have had a parent land a job in the city and have the story open with the family moving into a new home or Zuri stepping onto the school grounds for the first time. I don’t know…I felt that had been done before and wanted to do something a little different. 

I settled on the horror trope of a traumatic past. Zuri and her mother are on the run, have been for years, from Big Jake: estranged father, abusive husband, former boxer, and full-time gangland enforcer. This leads them to Pinedale after Zuri coldcocks her current high school’s star quarterback, ending his attempt to sexually assault her.

Despite the trauma of watching Big Jake nearly beat her mother to death, Zuri is a fighter like him, dreams of being a world champion, and remembers fondly learning to punch, kick, and grapple under his tutelage. Zuri can’t escape the past because every time she follows her first instinct to solve her problems with her fists, she perpetuates her family’s violent legacy. Isn’t that true of all of us? We can never escape the past because it is carried within us. The best we can do is to learn to cope healthily.

At Pinedale High, Zuri encounters challenging academics, especially mathematics, and a student body that believes the school is haunted. She doesn’t believe this for an instant, only giving credence to what she can beat into submission. When circumstances prove she can no longer deny the ghostly world, Zuri is presented with a problem as gnarly as an algebraic equation. How can she battle bullying poltergeists she can’t see or strike?

Zuri navigates Pinedale with the aid of new friends, fellow outcasts like herself, and eventually bonds with a tween spirit haunted by trauma she cannot escape even in death. Freeing the spirit from her abuser means unearthing Pinedale’s celebrated founding father’s legacy of filicide and satanic magic. Many of the town’s inhabitants haven’t an inkling that Pinedale’s foundation is awash in the blood of an innocent, but they will suffer for their communal past unless Zuri and her friends can face down monsters living and dead.

In the end, I found that Pinedale High being a shared story universe didn’t limit my storytelling. By leveraging the character-centric horror trope of past trauma, I told Zuri’s unique story while remaining within the bounds of Pinedale, the high school, the nearby haunted forest, and the handful of shared characters that give the series continuity.


Phantom Algebra: Amazon|Barnes & Noble|IndieBound|iBooks

Author socials: Website|Bluesky

Read an excerpt

A Check-Up For Saja

Sep. 17th, 2025 06:35 pm
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Posted by Athena Scalzi

I know, I know, you’re probably all terribly sick and tired of seeing our super adorable new kitten Saja, but I’m going to make you look at him again.

Saja, laying in a lap, looking at the camera and being oh so adorable.

This little guy has a vet appointment today; a follow-up to his previous one when I took all three of the kittens in for shots and whatnot. This is just a second round of the necessary shots, and we’re going to see if he’s old enough to get fixed yet! So that may be scheduled, soon, as well.

I’m so thankful that Saja (and the other two kittens) were relatively healthy and that everyone is doing amazing now. It’s truly so lucky that none of them had serious health concerns or feline leukemia or anything like that.

Having Saja around has been absolutely amazing. It’s hard to express how much I love him. I don’t know if it’s because I rescued him off the street or what, but I am so attached to this baby, and I have been since I first saw him. He means so much to me, and my heart feels so full when I look at him. Cuddling him, seeing him play and be a kitten, and just seeing him be alive and well is so incredible.

I’m so excited to know he’ll be in my life for many years to come.

-AMS

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Posted by John Scalzi

My hotel room in Spokane is in fact really nice. The view? Maybe less so.

Tonight! Spokane! I’ll be at Auntie’s Bookstore at 7pm. I’ll read stuff and answer questions and sign books, mostly in that order!

Tomorrow! I’m at Bookshop Santa Cruz, also at 7pm! More reading! And answers! And signing! Fun!

— JS

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September 17th, 2025next

September 17th, 2025: In the other part of my life (writing comics for Star Trek and Marvel and DC Comics) I have four (four!) new books out today! If you head down to your local comic shoppe, be sure to check out KRYPTO: THE LAST DOG OF KRYPTON #4, and/or FANTASTIC FOUR #3, and/or STAR TREK: LOWER DECKS: SECOND CONTACT (the collection of my new run on the book!) AND/OR Deadpool/Batman #1, for a li'l 3-page backup story that brings back something I am really excited to see return! Thus concludes the pitch for Ryan's books here on Ryan's Webzone. :0

– Ryan

The Shattering Peace is Out!

Sep. 16th, 2025 01:43 pm
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Posted by John Scalzi

Today is the Day! The Shattering Peace, my 19th novel, the seventh book in the Old Man’s War series, and my second novel of the 2025, is finally out in North America in print, ebook and audio (UK, you have two more days to wait for print/ebook. Be strong). It’s received rave reviews in the trades, including receiving starred reviews from Kirkus and Library Journal, and the general consensus so far is that it’s an excellent return to the Old Man’s War series. This makes me happy.

It’s important for me to note that while this is the seventh book in the series, it’s designed to be one that people who have not read the series before can get into. It’s a standalone book (so far) in the universe, and everything readers need to know to enjoy the story is laid out in the first couple of chapters. Newcomers won’t get lost, I promise. For the people who have read previous books in the series, you’ll find some old friends here, as well making some new ones.

You will find The Shattering Peace in literally every bookstore, online and offline, that carries science fiction. Remember also that for the next two weeks I am also on a book tour here in the US; come see if I’ll be near to where you are. Also! If you desire a signed book but my tour dates are not near you, remember you can call any of the bookstores where I’ll be on tour and ask them to have me sign it and then ship it to you. We’ll both be happy to do that. Subterranean Press also has signed copies available, and if you are outside the US, they ship internationally.

I’m very happy with this book and its story and I’m so thrilled that it’s finally out in the world for you all to enjoy. Welcome back to the Old Man’s War universe, and who knows? If enough of you like this one, maybe I’ll write another.

— JS

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Posted by John Scalzi

This hotel has given me my own patio, and look! I’ve also updated the operating system on my Mac! Truly, this is book tour is off to an auspicious start. It is also currently 102 degrees, but only 98 degrees in the shade, so that’s something, I suppose.

Tonight! I’m at the Poisoned Pen bookstore here in Scottsdale, and I’ll start doing my thing tonight at 7pm. If you’re in or near Scottsdale and Phoenix, please come say hello to me. I would love to see you.

Tomorrow! I’ll be at Third Place Books in Lake Forest Park, Washington (that’s just north of Seattle). That will also be at 7pm! Come on down.

Okay, now I’m going back into the air conditioning .

— JS

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Posted by Athena Scalzi

For about five years now, I have absolutely loved the music of Mystery Skulls. It was only recently that I learned Mystery Skulls is actually just one guy named Luis Dubuc, and he’s the singer, songwriter, and producer behind it all. While I would largely describe the music as EDM, it honestly has such a unique sound to it that’s very unlike a lot of other electronic music I’ve heard before.

To me, Mystery Skulls’ music is more approachable than a lot of electronic music. With plenty of awesome lyrics and vocals, it is something I would show to someone who isn’t super into EDM already.

Back in May, I learned that Mystery Skulls was going on tour, and would be performing in Columbus in September. I immediately bought two VIP tickets, one for me and one for the friend that introduced me to Mystery Skulls in the first place.

I know I’ve mentioned it a ton of times before, but I am really not a concert person. I hate loud noises, don’t really like live music all that much, and I’m not fond of crowds. I’d rather just jam to my music by myself at the volume I prefer and not pay a ton of money for it.

All that being said, I had the most amazing time at the Mystery Skulls concert, and it was pretty much the best concert I’ve ever been to. My friend and I had so much fun!

The concert was held at Skully’s Music Diner in the Short North area of Columbus. I’d never heard of the venue before, but that makes sense considering I literally just said I don’t like live music (generally).

I loved this venue. It’s a bit of a smaller place, with two bars, a standing room area in front of the stage, and a balcony area. It’s got a dive bar vibe but with a stage. The bathroom really sealed the deal for me, with one of the two stalls having a broken lock, and the other one having a shower curtain instead of a door. At least the floor wasn’t sticky! I was very impressed by that.

So, I’m sure you’re all wondering what the VIP tickets included. At $85 dollars a piece, you got early entry for a meet-and-greet, where you got to talk to Luis and get a photo with him. I declined a photo and he asked if I was in witness protection program, which I found very amusing. After that, everyone got in line for a turn to play a round of Street Fighter with him in a one-on-one battle. I also declined this opportunity, as I suck at those type of fighting games and didn’t want to embarrass myself.

Plus, we got merch bags! A reusable bag with a cool lanyard and a VIP card that Luis signed when we met him, and a RFID card that unlocks early access to an album he’s planning to release in 2026.

So, how was the show? Well, there was an opener, and I don’t know about y’all, but I have never liked an opener at any concert I’ve attended. That was NOT the case here. The opener of the evening was NITE, two twin brothers from Texas with some of the coolest, dark-synth dance music. Like a gothic electronic vibe. It reminded me of if you were having a Stranger Things themed dance party.

I seriously loved every song they played, and they were so fun to watch perform. They really got the crowd hype for the main event. I highly recommend checking out some of their music, and I’ll leave two here for you that I particularly enjoyed:

Aside from NITE being a banger opener, Mystery Skulls kept the energy up the whole time, never slowing down or letting the vibes slip away for even a second. It was amazing to hear all my favorites, plus some new stuff that was special to the tour, and everything was seamlessly remixed together into an awesome blend of never-ending dance. Not to mention the light show was killer.

I know you’re probably at the edge of your seat waiting for me to share some of my favorite songs, so I shan’t keep you waiting any longer.

First up, we have my all-time favorite of his: “Ghost.” This is the first song I ever heard from Mystery Skulls, so it’s nearest and dearest to my heart.

very close second place song would be “Hellbent.”

For a more funky fresh vibe, I recommend “Freaking Out.”

And for a more clubby, EDM vibe, I recommend “Losing My Mind.”

There’s so many songs of his that are great but I won’t spam you with all of the ones I like.

I’d be remiss if I didn’t tell you about the very interesting and surprisingly in-depth animations that feature Mystery Skulls’ songs, and are the very thing that my friend sent me to begin with.

While these animations don’t actually have anything to do with the music or Luis himself, the series features several of his songs and is inspired by the music.

The series, called Mystery Skulls Animated, starts with “Ghost,” and introduces us to a Scooby-Doo-esque crew who come across a haunted mansion. But things aren’t quite as they first appear.

There were tons of people at the concert in Columbus wearing merch of this animated series, and pretty much everyone I talked to at the concert had seen the animations, too. So while they’re not canon in any capacity, they are huge in the Mystery Skulls fandom itself.

I won’t link all the videos in this post since I’m mainly just here to tell you about the concert, Mystery Skulls, and NITE, but if you want to see the rest of them, here’s an in-order playlist for you.

These animations are absolutely wild and it’s so cool to see the skill and talent progress over the several years they’ve been released. Honestly I loved revisiting these for this post.

So, there you have it! My adventure to Columbus for the Mystery Skulls concert was a huge success, and I’m so happy my friend and I got to see a musician we love perform. I think I’m starting to realize I don’t hate concerts as much as I thought I did, and am mainly not a big fan of huge arena type concerts with 50,000 people and mega-screens you watch the performers on because you’re so far back that they look like a speck on the stage.

What’d you think of the songs? Are you an avid concert-goer? Let me know in the comments, be sure to follow Mystery Skulls and NITE on Instagram, and have a great day!

-AMS

The Big Idea: Ian Randal Strock

Sep. 15th, 2025 04:38 pm
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Posted by Athena Scalzi

To Oxford comma, or to not Oxford comma? That is the question. Thankfully, author Ian Randal Strock is here with some answers. Or, at the very least, plenty of research about punctuation throughout history that he’s organized into his new book, Punctilious Punctuation.

IAN RANDAL STROCK:

As all the best arguments do, it started with something very, very small. In this case, it was a comma.

Specifically, I wrote an article for the Mensa Bulletin marking the centennial of Isaac Asimov’s birth. [Footnote 1] My first job in science fiction was as the editorial assistant at Asimov’s Science Fiction magazine (and also Analog), so I met Isaac my second day on the job. Of the day we met, I wrote an amusing anecdote, and noted that “We laughed, and were friends for three years” (that is, the last three years of his life).

The editor removed the comma, and when I questioned that decision, he said, “Two dependent clauses/compound predicate so no comma is needed.” I disagreed… emphatically. To my mind, the use of the comma means: “we laughed briefly, and after that incident, we were friends for the next three years.” Without the comma, to me, it means: “we laughed for three years and we were friends for three years.” We did not laugh for three years.

The editor, however, was operating under the strict interpretation of the Associated Press Stylebook, which seems to be waging its battle against punctuation (a carry-over, perhaps, from its use for newspapers, in which saving typographical space is of paramount importance). That, too, is why the serial (or Oxford) comma has all but disappeared from news reporting.

The article in question, however, was not a newspaper report in which saving column inches was a desperate need. And I still feel the loss of that comma (but he’s the editor, so what he says goes [just wait until he writes something that I publish <insert evil grin here>]).

That interaction got me thinking about punctuation in general, and about the need for punctuation, and the wonderful things writers can do with punctuation when using it properly, and the horrible things e e cummings did to us with his minimal use of punctuation and majuscules. Punctuation, in written language, serves the same purpose as vocal inflection and body language in spoken language. Without it, we’re communicating on a flat plane. With it, we’re communicating in three dimensions.

As a science fiction writer, it may be ironic to note that I’m not an early adopter of every new thing that comes along: I still listen to CDs in my car; I maintain my unshakeable faith in the primacy of WordPerfect; and I won’t eat red or blue M&Ms. With a similar tenacity, I couldn’t let that comma go.

I researched the history of commas, and punctuation in general, and found Florence Hazrat (a Fellow at the University of Sheffield), and her article “A History of Punctuation” [Footnote 2], in which she writes, “In the broad sense, punctuation is any glyph or sign in a text that isn’t an alphabet letter. This includes spaces, whose inclusion wasn’t always a given: in classical times stone inscriptions as well as handwritten texts WOULDLOOKLIKETHIS—written on scrolls, potentially unrolling forever.” Continuous script seems to arise from the use of writing merely as record of speech, rather than a practice in itself. And since we’re hardly aware of the infinitesimal pauses we make between words when speaking—other than William Shatner [Footnote 3] and certain other enunciators—it isn’t obvious to register something we do and perceive unconsciously with a designated sign that is a non-sign: blank space.

Perhaps the main use of writing in Ancient Greece and Rome was for people giving lectures and political speeches, not publishing books. Before making their speeches, orators would work on their texts, using whatever symbols and marks would remind them which were long and short syllables, where to pause for rhetorical effect and breathing, and so on. There was as yet no such thing as reading at first sight.

This personal writing without punctuation lasted for hundreds of years, before writing slowly became standardized as a form of communication unto itself. And with that growth came the need to punctuate.

And as many science fiction writers do, I quickly fell down that research rabbit hole. Before I knew it, I had enough information to give an hour-long lecture on the subject, tinged with my own brand of humor. And then, because I’d put so much effort into it, I did even more research, theorizing, and writing, and turned it into a book. So yes, this entire book exists because I had an argument over a comma.

And by the way: serial commas rule!

***

Footnotes:

Footnote 1: “Isaac Asimov: Remembering the Literary Icon I Worked With” by Ian Randal Strock. Published in the November/December 2019 issue of the Mensa Bulletin. Available at https://www.us.mensa.org/read/bulletin/features/isaac-asimov-writer-polymath-chemist-mensan/

Footnote 2: “A History of Punctuation,” by Florence Hazrat, Aeon, Septmber 3, 2020. https://aeon.co/essays/beside-the-point-punctuation-is-dead-long-live-punctuation

Footnote 3: See, for example, “Is William Shatner’s Signature Speech Style Fake?” by Robin Zabiegalski, published February 1, 2021, on Heavy.com. In the article, Shatner is quoted as saying that “each person’s speech style [is] their own personal ‘music’.” https://heavy.com/entertainment/star-trek/william-shatner-signature-speech-style-fake/

—-

Punctilious Punctuation: Amazon|Barnes & Noble|Powell’s

Author socials: Website|Facebook|Instagram|Bluesky

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September 15th, 2025: So earlier T-Rex suggested a new alphabet replacement, and I got an email from Michael L, who wrote:

I took the liberty of finding you the first 26 Garfield comics with no text in them (barring bookkeeping text like dates and signatures ofc) so you don't have to worry about recursively putting Garfield comics inside Garfield comics in order to make them parseable.

I thought this was both amazing AND PRACTICAL, and so with permission I now share this list here with you!!

  • 1978 (Strip #68): The tail ratchet.
  • 1978 (Strip #78): Preparing for the bath.
  • 1978 (Strip #79): The dandelion drying.
  • 1980 (Strip #4): The pin-up posters.
  • 1980 (Strip #48): The tail adjustment. (Sunday)
  • 1980 (Strip #172): Odie ties himself in a knot.
  • 1980 (Strip #180): The door/window prank. (Sunday)
  • 1980 (Strip #198): Sucking the teddy bear's paw.
  • 1980 (Strip #332): Teeth grow into the table.
  • 1981 (Strip #125): The instant rainstorm.
  • 1981 (Strip #147): Fur blown back in the car.
  • 1981 (Strip #175): Paws stuck in the collar.
  • 1981 (Strip #308): Stretching Odie's ear.
  • 1981 (Strip #313): Stuck in the kitty sweater.
  • 1981 (Strip #328): Neck stretches in the window shade.
  • 1982 (Strip #32): Juggling apple cores.
  • 1982 (Strip #39): Slingshot stuck on face.
  • 1982 (Strip #62): Ambushing the hat ornament.
  • 1982 (Strip #64): Devouring the popcorn.
  • 1982 (Strip #73): Swing breaks on head.
  • 1982 (Strip #150): Fishing hook snags tail.
  • 1982 (Strip #151): Garfield becomes Odie's tail.
  • 1982 (Strip #152): Sandwich fillings squish out.
  • 1982 (Strip #167): Cat door hits him in the rear.
  • 1982 (Strip #197): Scale arrow peaks + Garfield's reaction.
  • 1982 (Strip #244): Napkin cape leaves him dangling.

– Ryan

Got Myself a COVID Shot Today

Sep. 14th, 2025 07:14 pm
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Posted by John Scalzi

Why? Well, one, my book tour starts tomorrow and that’s two weeks straight out on the road, and after that I have events basically every other weekend through November, so better to prepare than not (I got a flu shot a couple months back, so I’m good there, too), and two, our dimwit-not-even-qualified-enough-to-call-himself-a-quack Secretary of Health and Human Services, Robert F. Kennedy, Jr., may be about to try to make it more difficult for everyone under the age of 75 to get a COVID vaccine, based on absolute bullshit that doesn’t stand up to scrutiny, so fuck him, I got mine. I booked my appointment at CVS, went in, got shot up and was on my merry way in less than ten minutes. Simple! Easy! Smart!

Naturally, I strongly encourage all y’all to get your own shots in as soon as you can (allowing for previous vaccine schedules and/or previous infections). Take care of yourself out there, because at this particular moment, the US federal government isn’t gonna do you much good.

— JS

27 Years of Whatever

Sep. 13th, 2025 04:11 pm
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Posted by John Scalzi

It’s come ’round again, the anniversary of the first day I sat down and wrote something here intended for daily(ish) updating, twenty-seven years ago, long ago enough that AOL was still a viable and ongoing concern and that blogs weren’t called “blogs,” they were called “online diaries” or “online journals.” Because I was a former journalist and also a bit of an ass, I spurned both those titles (as I would the word “blog” a little later), preferring to say that I wrote an “online column.” Over time, I have become rather less precious about this, especially now that “blog” is a concept that now hearkens back to a cretaceous era of the Internet, before social media and algorithms and the concept of being “terminally online.” If only we knew then what we know now. We might all go running into the night, never to return.

Be that as it may, Whatever continues, and I still post here regularly, along with my daughter Athena, who was a couple months from being born when I started this whole thing. At this point in time, she actually does more here than I do; she posts almost all the Big Ideas, and writes as many of the longer pieces here these days than I manage. This partly because so much more of my professional life happens offline these days — in the last week or so, as an example, I wrote a short story, a script treatment and some of my novel, and then traveled to Portland for a convention, and starting Monday I embark on a two-week book tour — and partly because Athena is writing cool and interesting stuff and I’m really happy about that. The Whatever is better for having her as part of it, and it’s been fun watching this place grow from my personal soapbox into a two-person shop. I like that 27 years on, this site is still evolving.

I am very really happy with what’s going on in my professional writing life at the moment (I have some very cool stuff going on right now I absolutely cannot tell you about yet, but when I can tell you, I think you’ll be excited), and one side effect of that is that at the end of the day I often don’t have it together to post more than something short here. I don’t think this is a tragedy, but I would like to write slightly longer here than I have recently. I have some ideas how to do this, but a lot of that will have to wait after the book promo season I am about to find myself in. In the meantime, there will be views out of a hotel window, posts about cats, and more cool stuff from Athena.

And so, onward — for Whatever and for me and Athena. I like where everything is with Whatever, and I look forward to where we go from here. Another year awaits.

— JS

Catching Up With Saja

Sep. 13th, 2025 03:19 pm
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Posted by John Scalzi

Our newest addition to the Scamperbeast clan continues to be friggin’ adorable, and also his personality is beginning to show more. He is rambunctious, which is to be expected in a kitten, and also a bit of menace, since he discovered that he enjoys both the stairs and being underfoot, which is a dangerous combination with one is trying to navigate the stairs at night and suddenly there is a kitten. There are reasons why, when I turned forty, I trained myself to start reaching for the railing on the stairs, and this kitten is definitely one of those reasons.

In terms of the other cats, Saja continues to be an annoyance to Sugar and Spice, the former of whom still wants nothing to do with him, and the latter of which has come to grudgingly accept that he might be on the bed at the same time she is. Smudge is more congenial to him and the two of them tussle on a regular basis now:

This is lovely for us, as it reminds us of when Smudge was the kitten a Zeus was the one tusslin’ with him. It’s nice to know the tussle reaches over generations. Charlie and Saja also continue to get along famously. It’s as good an integration at this point that one could hope for.

The one real annoying thing Saja will do is try to eat my face, which he does every night between three and five am. He’s probably not actually trying to eat my face, he’s probably trying to nurse, which will not avail him of anything, alas for him. This will continue until I grab him, take him downstairs and then plop him in front of a cat food bowl, at which point he goes, oh, right, that’s where the food is. I’m hoping he grows out of this; I would really prefer to sleep through the night. We’ll see.

— JS

New Books and ARCs, 9/12/25

Sep. 12th, 2025 07:26 pm
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Posted by John Scalzi

We’ve made it to another Friday, and here is a new set of books and ARCs that have come to the Scalzi Compound. What here is piquing your interest? Share in the comments!

— JS

The Big Idea: Ren Hutchings

Sep. 11th, 2025 05:37 pm
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Posted by Athena Scalzi

The word “sonder” refers to the realization that every other person is living their own, whole life outside of what you see. For author Ren Hutchings, she has experienced this with side characters in media, wondering about their lives outside of the story. Expanding on this idea, she ended up writing An Unbreakable World. Follow along in her Big Idea to see how this companion novel focuses on characters who are outside of the spotlight.

REN HUTCHINGS:

I’ve always had an interest in the relationship between history and folklore, a theme which has influenced so much of my speculative writing. I’m most intrigued by a close, individual perspective, viewing the past as a moving tapestry of small lives and stories, rather than a series of big, significant events. 

Ever since I was a child, I’ve often found myself invested in a seemingly insignificant side character in a book or movie, that person who only pops up for a brief encounter and says three lines of dialogue. I’d be wondering about where they went next, or if they had a family, or what the rest of their life was like. Because of course they must have had a whole life that existed outside of that one time when they happened to cross paths with the heroes!

And so, when I set out to write a new novel set in the same universe as my debut, Under Fortunate Stars, I found myself pulled toward the stories at the outer edges. The result is a standalone novel that’s in many ways a companion piece to my first book, but in other ways its opposite. Because while Under Fortunate Stars was about a group of unexpected heroes who famously stopped an interstellar war and saved humanity, An Unbreakable World is very much about those folks on the periphery. In a vast galaxy fraught with intrigue and turmoil, this story asks what was going on with the people who didn’t become historical heroes.

The protagonists in this book are people whose names and deeds won’t be remembered in songs or poems. They’re people whose most important choices will never be known to history, whose motivations will never be examined by future biographers. The point-of-view characters are each struggling to find a meaning in their own lives, and looking in all the wrong places for an ever-elusive sense of purpose.

Almost everybody you meet in An Unbreakable World is experiencing deep isolation. Page is a petty thief who woke up from stasis without most of her memories, and while she searches desperately for any shards of her missing past, she closes her mind to the possibilities that the present is offering her. Meanwhile, Maelle has dedicated years of her life to plotting a long-game revenge scheme, and she’s likewise been ignoring every opportunity to take a new path.

On a distant world, Dalya of House Edamaun is an anxious young heiress growing up in a restrictive, sheltered society, on a planet that has intentionally cut itself off from the United Worlds of Humanity. She’s struggling with spiritual and existential questions, crushed by the weight of a responsibility she doesn’t feel ready for… until she comes to realize that she actually has more choices than she thinks. In forging small, intimate connections with others, each character finds the shape of their own story becoming clearer.

Both of the Union Quadrant books touch on themes about storytelling, memory, and the historical record. But the thing I really wanted to explore in An Unbreakable World is the way our search for a bigger meaning often begins with our most personal choices.

Most people will never do any epic deeds, or perform incredible galaxy-changing feats. And some people whose actions do have far-reaching effects won’t even realize it. Indeed, most of us will never know exactly how our lives will affect the fabric of history, or how far the ripples of our decisions travelled. But we can make choices about what’s important to us, about what we want to stand for and believe in. We can choose which things we find meaning in when our future isn’t clear and everything seems hopeless.

Sometimes, the journey to save yourself – and to accept that you’re somebody worth saving – can be just as monumental as a heroic quest to save the galaxy. 


An Unbreakable World: Amazon|Barnes & Noble|Bookshop|Kobo|Powell’s

Author socials: Website|Instagram|Bluesky

Charlie Offers A Carrot

Sep. 11th, 2025 05:36 pm
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Posted by Athena Scalzi

Charlie knows you might be stressed out right now, and would like to offer you her carrot:

Charlie the dog, holding a carrot toy in her mouth and looking at the camera with puppy dog eyes, one of her ears flopped over into sport mode.

It’s dirty and slobbery, but that’s what makes it so special. She hopes you enjoy her gift to you.

-AMS

January 2011

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